The blog of a North Country Swede!
Friday, December 31, 2004
Cool Writer's Group
My websites:
http://www.ncswede.com
http://www.steesehighway.com
http://www.steesehighway.com/review.html
My blogs:
http://www.ncswede.blogspot.com
http://www.coolwritersgroup.blogspot.com
& my group:
http://groups.yahoo.com/group/coolwritersgroup/
(Note: the group is a "member by invitation only" group. You can check us out at our blog listed above.)
This'll keep me busy in my old age!
Gus aka NC Swede
Monday, December 27, 2004
Musings about an internet writers group
I quit it today.
Everything was going along fine--or so I thought--when out of the blue came all this negative stuff about people worrying if their work would be stolen or misused or ...
What were they doing in an internet writers group with that level of paranoia?
There were some good writers in that group, too.
I simply am NOT interested in having that level of negativity in my life ... not about my writing.
And I was actually looking forward to getting up early each morning and spending some time on what we were doing in the group ... then wham! bam! thank you, ma'am! and the whole synergy evaporated in an explosion of fear and paranoia ... "You know you got trouble, right here in River City, that starts with 'T' which rhymes with 'P' and that stands for Pool ... "
Kind of irritating ... so I'm applying a little therapy and getting it off my chest here.
What the heck, gives me more time to work on this blog where I have all these unfinished threads.
So, like I used to sign off on my posts during my erstwhile membership in the group:
Cheers!
S.H. Gus
aka Steese Highway Gus
Thursday, December 23, 2004
Letter to the New York Times Editor
Dear Editor:
Decades ago in the midst of the Vietnam War, Robert
Ardrey wrote this in his bestseller, THE SOCIAL
CONTRACT (my Fontana Library paperback edition was
first issued in 1972):
"I was writing early in 1966, when escalation of
American power in Vietnam was less than a year old and
American optimism was still a native resource.
Applying the territorial principle, I published my
conclusion that the war was unwinnable. A powerful
intruder, uninhibited by world censure, may with a
single blow annihilate a territorial defender. But an
effort to escape moral obloquy through gradual
escalation of force gives the weakest defender
opportunity to escalate his own quite incalculable
biological resources. Incapable of playing the Hitler,
we played instead evolution's fool."
We haven't learned a thing, have we. Once again we are
fighting human nature with the fervor kindled by a
religious belief. We are attacking our own mirror
image!
Think for a moment of how we would rally to the
barricades if we were attacked! Is it so strange that
the Sunni's are doing the same thing?
Ten, twenty years from now even children will wonder
how supposedly smart leaders could have been so dumb.
Regards,
N.C. Swede
Other books of interest on the subject of the biological
basis of human society are:
African Genesis
The Territorial Imperative
The Social Contract
Saturday, December 11, 2004
A Modern Fable, Part I
A ship’s captain, newly elevated to command of a large ocean going-vessel, has made his mark in the speedy delivery of local passengers and cargo with smaller ships with the substantial assistance of a cadre of long-time subordinates (COLTS). And yes, the captain is the scion of the family that owns the shipping company, and the COLTS long ago hitched their wagons to his rising start.
The new captain decides he wants to make his mark on his very first ocean-going voyage by setting the speed record for delivery of maximum cargo tonnage—crude oil—on the route. His COLTS choose a passage that cuts the time significantly but is full of shoals and hidden reefs. They made their decision after consulting with the local shipping experts (LSEs) using the passage. And yes, this has been easy to do because the LSEs want the help of the ocean-going shipping company to get more local shipping business.
The father of the captain reminds his son that he avoided this passage when he set the record on the route several years earlier. The chief engineer, one of the COLTS, tells the newly elevated captain that he can lighten the ship speed and lessen the ship's draught, the depth of the hull in the water, so not to worry. The chief engineer then chooses a single hull ship for the voyage and gets rid of enough life boats to meet his requirements. And yes, when questioned, he simply asserts, "We're not going to run into anything."
The new captain announces his plans to all the people in the company who need to know, some of whom are not COLTS. The need to know others (NTKOs) include individuals with long experience in sailing the waters of this route. And yes, they express serious concerns about the shoals and hidden reefs in this particular passage which they know are there—but not exactly where because not all of them are adequately marked on the route’s charts. And yes, they also wonder about using a single hull ship and not having enough lifeboats.
The COLTS poo-poo the cautionary advice of the NTKOs by pointing to the assertions of the LSEs. These experts say they know where all the shoals and reefs are, and will guide the large ocean-going vessel along its route. Besides, the weather forecast is perfect for the length of the voyage. The newly elevated captain believes his COLTS and the LSEs rather than the NTKOs. And why not? The COLTS have made him what he is.
The ship sails, loaded with cargo, and attempts the passage full of shoals and hidden reefs. And yes, it runs aground. But it doesn’t sink—not yet.
Not to worry! The new captain justifies his attempt to sail through the passage by stating that the LSEs said they could guide the ship around the shoals and hidden reefs. So it’s not HIS fault. And yes, because the ship doesn’t sink right away, the captain continues on course … in part because the ship can’t turn around or back up without sinking on the spot—or so the COLTS say. The NTKOs are not so sure. The LSEs pursue contracts to shift the cargo and lighten the ship.
And no, running the ship aground is not enough to remove the captain from his post—if the captain is the offspring of the owners of the shipping company AND has an excuse. Even the NTKOs know this.
But what if the ship sinks? Will the captain go down with his ship?
Then the weather forecast changes ... a storm approaches ... the grounded vessel starts taking the pounding of the storm's fury ... the captain exhorts his crew to hang on ... from the shore ...
Tuesday, December 07, 2004
Raking leaves ...
I played little games,
first making rows,
moving leaves around in small swirling maelstroms of wind,
the leaves floating and fluttering and drifting along.
Then I herded the rows into piles.
At my age nothing is more important than this,
being active doing what needs to be done,
without a sense of obligation to anything
beyond what is in front of me.
And I thought about it.
Reality is like a huge ocean,
extending forever in time and space.
The horizon is always beyond my reach,
except through the ripples and waves I create where I am.
I can move in harmony with others,
amplifying our efforts,
or I can splash around.
Sometimes it is necessary to be disruptive.
Other times it is better to move in harmony.
Knowing when to do what,
is wisdom.
Doing it,
is courage.
I thought about these things as I raked the leaves
and changed the universe.
Like a butterfly moving its wings.
Friday, December 03, 2004
Hunting the Road Kill Moose, Act II, Scene 1
ACT II
SCENE 1
The
DICK
Hey, m’man. How goes it?
JAKE goes over to the refrigerator and gets out a half-gallon of orange juice and fills a glass he takes from a cabinet. He takes a big drink from the o.j. before he talks to DICK.
JAKE
All right. How much meat did we get out of that moose?
DICK
Seven hundred pounds or so with the bones.
JAKE
Pretty good, do you think?
DICK
Pretty darn good.
DICK laughs.
DICK
(Continues)
I would have said pretty damn good, but seeing’s how you’ve moved up in the world and got religion, I’ll bridle my tongue as the good book suggests.
JAKE laughs and walks over and pats DICK on the back and then leaves his arm draped around DICK’s shoulders.
JAKE
(Continues)
Don’t go getting goofy on me now, buddy. We bunked together long enough before I took this job on.
DICK jabs JAKE playfully in the ribs with his elbow. JAKE drops his arm off DICK’s shoulders as he bends over I mock pain.
DICK
Yah, well, I know my place and it ain’t in
A pause
DICK
(Continues)
Seems you made quite an impression on our boy Peter.
JAKE
When did you talk with him?
DICK
He came around here just now. Said you’d turned his life around.
He did, did he?
Yessiree, Jake, those were his exact words, Getting to know Jake has turned my life around.
JAKE
I think God had a lot to do with it, and Chaplain Stokes.
DICK
Don’t go getting modest on me. Nurturing young’uns can be pretty satisfying.
JAKE
Yes, well, I feel good about setting a good example and having a positive influence fro a change, and being part of spreading the Gospel and sinners, especially young ones, getting saved.
DICK
When you’ve been around missions as long as I have, from my end of things, let’s say I’m a wee bit more skeptical about Peter’s getting religion than you seem to be. But maybe I’m jealous. I like the kid, that’s for sure.
A pause
DICK
(Continues)
Hell, I don’t know, Jake. He’s all happy to be saved. Kinda like you were, when was it? August? Now Peter’s after me to get saved like you were. I’d like to see ‘em walk the walk a ways down the road before I put too much into their talking the talk.
A pause
DICK
(Continues)
You know, like you’ve done.
A pause
DICK
(Continues)
Oh yah, Peter was pretty excited about meeting Sarah. She’ll sure enough test his religion.
DICK shakes his head a couple of times.
DICK
(Continues)
That she will.
DICK sighs.
DICK
(Continues)
Don’t get me wrong. Sarah’s good people and Ann’s a saint in my book. Sarah’s maybe had a little too much freedom, but then she hasn’t had a father around. Who knows?
A pause
DICK
(Continues)
Christ, I’m getting old.
DICK chuckles.
DICK
(Continues)
Maybe it’s time to cover my bets and get religion.
JAKE
It’s never too late.
DICK
So if it’s never too late, maybe it’s always too early.
JAKE laughs.
JAKE
You’re not as old as me and I thank you for your insights, my friend. But you have to admit, God provided a lot of meat for the
DICK
Yah, well, you think He could of done it without killing the old couple.
Thursday, December 02, 2004
The Tao of Pooh
I recommend reading it.
Some information about the book and Taoism:
From Wikipedia, the free encyclopedia.
The Tao of Pooh
The Tao of Pooh is the title of a book by Benjamin Hoff (Penguin Books, New York: 1982, ISBN 0140067477) which is a elementary but entertaining introduction to Taoism, using the fictional character of Winnie the Pooh. Hoff has also written The Te of Piglet.Taoism
- For other uses of the words "tao" and "dao", see Tao (disambiguation) and Dao (disambiguation).
Names | |
---|---|
Chinese: | 道教 |
Pinyin: | Dàojiào |
Wade-Giles: | Tao-chiao |
Taoism or Daoism is usually described as an Asian philosophy and religion, although it is also said to be neither but rather an aspect of Chinese wisdom.
The Tao of Taoism
In Taoist context, the Tao (道) is the indivisible and indescribable unifying principle of the universe, from which all flows; the ever-lasting essential and fundamental force that runs through all matters in the universe, living or not. As a descriptive term, it can be taken to refer to the actual world in history — sometimes distinguished as "great Dao" — or prescriptively, as an order that should unfold — i.e., the moral way of Confucius or Lao Zi or Christ, etc. A theme in early Chinese thought is Tian-dao or 'way of nature' (also translated as 'heaven', 'sky' and sometimes 'God'). This would correspond roughly to the order of things according to natural law. Both 'nature's way' and 'great way' can inspire the stereotypical Taoist detachment from moral or normative doctrines. Thus, thought of as the course by which everything comes to be what it is (the "Mother of everything") it seems hard to imagine that we have to select among any accounts of its normative content — it therefore can be seen as an efficient principle of "emptiness" that reliably underlies the operation of the universe.
Taoism is a tradition that has, with its traditional counterpart Confucianism, shaped Chinese life for more than 2,000 years. Taoism places emphasis upon spontaneity and teaches that natural kinds follow ways appropriate to themselves. As humans are a natural kind, Taoism emphasises natural societies with no artificial institutions. Often skeptical and being ironic on human values as morality, benevolence and proper behavior, Taoist writers don't share the Confucian belief in civilization as a way to build a better society; they rather share the will to live alone in mountains with wild animals, or as simple peasants in small autarchic villages.
For many Chinese educated people (the Literati), life was split into a social part, where Confucian doctrine prevailed, and a private part, with Taoist aspirations. Home, night-time, exile or retirement were good occasions to cultivate Taoism and, say, re-read Lao Zi's and Zhuang Zi's books. This part of life was often dedicated to arts like calligraphy, painting, poetry or personal researches on antiquities, medicine, folklore and so on.
Sources of Taoism
Traditionally, Taoism has been attributed to three sources:
- The oldest, the mythical "Yellow Emperor";
- the most famous, the book of mystical aphorisms, the Dao De Jing (Tao Te Ching), said to be written by Lao Zi (Lao Tse), who, according to legend, was an older contemporary of Confucius;
- and the third, the works of the philosopher Zhuang Zi (Chuang Tse).
- Other books have developed Taoism, as the True Classic of Perfect Emptiness, from Lie Zi; and the Huainanzi compilation.
- Additionally, an original source of Taoism is often said to be the ancient I Ching, The Book Of Changes or related divinatory practises of prehistoric China.
The Dao De Jing
Main article: Dao De Jing
The Dao De Jing (or Tao Te Ching, The Book of the Way and its Power) was written in a time of seemingly endless feudal warfare and constant conflict. According to tradition (largely rejected by modern scholars), the book's author, Lao Zi, was a minor court official for an emperor of the Zhou dynasty. He became disgusted with the petty intrigues of court life, and set off alone to travel the vast western wastelands. As he was about to pass through the gate at the last western outpost, a guard, having heard of his wisdom, asked Lao Zi to write down his philosophy, and the Dao De Jing was the result. Lao Zi was reflecting on a way for humanity to follow which would put an end to conflicts and strife. This is the original book of Taoism. The scholarly evidence (buttressed by a cluster of recent archeological finds of versions of the text) was that the text was taking shape over a long period of time in pre-Han China and circulated in many versions and edited collections until standardized shortly after the Han.
Taoist philosophy
- From the Way arises one (that which is aware), from which awareness in turn arises the concept of two (yin and yang), from which the number three is implied (heaven, earth and humanity); finally producing by extension the entirety of the world as we know it, the myriad things, through the harmony of the Wuxing. The Way as it cycles through the five elements of the Wuxing is also said to be circular, acting upon itself through change to affect a cycle of life and death in the ten thousand things of the phenomenal universe.
- Act in accordance with nature, and with finesse rather than force.
- The correct perspective should be found for one's mental activities until a deeper source is found for guiding one's interaction with the universe (see 'wu wei' below). Desire hinders one's ability to understand The Way (see also karma), and tempering desire breeds contentment. Taoists believe that when one desire is satisfied, another, more ambitious desire will simply spring up to replace it. In essence, most Taoists feel that life should be appreciated as it is, rather than forced to be something it is not. Ideally, one should not desire anything, not even non-desire.
- Oneness: By realizing that all things (including ourselves) are interdependent and constantly redefined as circumstances change, we come to see all things as they are, and ourselves as a simple part of the current moment. This understanding of oneness leads us to an appreciation of life's events and our place within them as simple miraculous moments which "simply are".
- Dualism, the opposition and combination of the Universe's two basic principles of Yin and Yang is a large part of the basic philosophy. Some of the common associations with Yang and Yin, respectively, are: male and female, light and dark, active and passive, motion and stillness. Taoists believe that neither side is more important or better than the other; indeed, neither can exist without the other, as they are equal aspects of the whole. They are ultimately an artificial distinction based on our perceptions of the ten thousand things, so it is only our perception of them that really changes. See taiji.
Wu Wei
Much of the essence of Tao is in the art of wu wei (action through inaction; the uncarved block). However, this does not mean, "sit doing nothing and wait for everything to fall into your lap". It describes a practice of accomplishing things through minimal action. By studying the nature of life, you can affect it in the easiest and least disruptive way (using finesse rather than force). The practice of working with the stream rather than against it is an illustration; one progresses the most not by struggling against the stream and thrashing about, but by remaining still and letting the stream do all the work.
Wu Wei works once we trust our human "design," which is perfectly suited for our place within nature. In other words, by trusting our nature rather than our mental contrivances, we can find contentment without a life of constant striving against forces real and imagined.
One could apply this to political activism. Rather than appeal to others to take action for a certain cause--regardless of its importance or validity--one would instead understand that simply by believing in the cause, and letting their belief manifest itself in their actions, one is bearing their share of the burden of their social movement. Going with the flow, so to speak, with the river (which in this case is a societal mindset).
Monday, November 29, 2004
Biological basis for humanity, 1
"We" are human beings as in "Homo sapiens (Latin for knowing man), a primate species of mammal with a highly developed brain. (Note: homo sapiens is singular.)"
We have our individual history, and our family history, and our community/nation/civilization history ... and we have our biological history.
I believe we can learn a great deal from our biological history. Some species of vertebrates form flocks and head north for the summer, returning south for the winter. Some species of mammals form herds. Some species of monkeys come to the boundary of their territory and scream at intruders in an offensive defense against threats from other monkeys from other groups of the same species. Chimpanzees commit murder. It's all VERY interesting and sheds light on ourselves ... and our fascination with the iconic fetish we call "God".
I would like to start my discussion of the biological basis for humanity by inquiring about the roots of community in our biological history. That will be the focus of this series for the near future.
I will interweave the several series:
The Sacred Elders
Whose God Is It?
Biological Basis for Humanity
as I complete the posting of:
Hunting the Road Kill Moose
Tuesday, November 23, 2004
Hunting the Road Kill Moose, Act I
By Hilding Lindquist
Copyright 2003, 2004 by Hilding Lindquist
Note: If you want to use this play in a public presentation, please contact me. –NC Swede
Jake Celsius: Male, late fifties, attractive older man, Facilities Supervisor at the Fairbanks Rescue Mission.
Dick Harding: Male, early fifties, weathered, worn, and wrinkled, head cook at the Fairbanks Rescue Mission.
Debbie Jenkins: Female, mid-thirties, average, a nurse at the Fairbanks Hospital.
Ann Reilly: Female, late forties, attractive, Social Worker at Fairbanks Hospital, Jake’s significant other.
Sarah Reilly: Female, early twenties, attractive, six months pregnant, Ann’s daughter.
Ralph Stokes: Male, mid-thirties, average, Chaplain at the Fairbanks Rescue Mission.
Peter Strand: Male, early twenties, attractive, resident client at the Fairbanks Rescue Mission.
SCENE 1
JAKE CELSIUS' bedroom on the second floor of the Fairbanks Rescue Mission, Fairbanks, Alaska. It's night and the room is dark. The bedroom is small and sparsely furnished. JAKE is sleeping on his side in a twin-sized bed facing the near wall. A nightstand with a lamp, telephone, and small digital clock-radio sits at the head of the bed on the right. There is a door at the foot-end. A simple straight-backed chair with JAKE's robe draped over the back is against the rear wall between the bed and the door.
There's a knock at the door. JAKE turns over in bed. He reaches out and turns on the lamp on the nightstand, raises himself slightly resting on his elbow. He looks at the clock, shakes his head, and looks at the door.
(Calls out O.S.)
JAKE gets out of bed, puts on his robe, and goes to the door. His hair is tousled from sleeping. He is obviously tired as he finishes tying his robe and rubs his eyes. He opens the door for PETER STRAND.
JAKE stretches and yawns.
JAKE looks over at the clock beside his bed, then stretches and yawns again.
PETER shines his flashlight on his wristwatch.
JAKE Stretches and yawns again and then gestures for PETER to enter the room. PETER enters. JAKE leaves the door open behind him.
JAKE Moves back to the open door, takes the door knob and stands there, indicating for PETER to leave. JAKE starts to close the door as PETER leaves, then JAKE stops and speaks to PETER.
JAKE closes the door, then busies himself getting dressed. There's a knock on the door.
DICK HARDING enters.
JAKE's phone rings.
JAKE walks over to the nightstand and presses the button to put it on speakerphone.
JAKE presses the speakerphone button again, turning it off. He turns back to DICK.
DICK laughs.
SCENE 2
JAKE and PETER are seated in the front seat of pickup cab facing forward. They are dressed warmly in Alaska-style outdoor gear with gloves and baseball caps.
JAKE laughs.
JAKE looks quickly at PETER and frowns.
(Continues)
PETER looks at his wristwatch.
(Continues)
(Continues)
JAKE laughs.
JAKE
JAKE laughs.
JAKE laughs.
PETER nods his head.
JAKE looks at PETER then turns back to the road ahead.
JAKE laughs.
A light comes on showing a bloated moose carcass on the side of the road with pieces of wreckage around it.
JAKE stops the pickup and looks intently at PETER.
SCENE 3
JAKE and PETER have gotten out of the pickup and are standing by the moose. JAKE pulls a large Bowie knife out of its scabbard on his belt.
JAKE starts to lean over the moose then stands up and looks at PETER, offering PETER the knife.
JAKE looks at PETER with a brief frown.
JAKE hands PETER the knife. PETER sticks the knife into the moose’s gut. Gas escapes with a woosh and the belly deflates slightly. PETER looks at JAKE and laughs. JAKE nods his approval with another brief frown. They go back to the pickup truck and lean back against it, side by side, waiting for CHAPLAIN RALPH STOKES to arrive.
PETER walks over to the rear end of the female moose and looks at it.
JAKE gives a short, nervous laugh and a half cough.
JAKE clears his throat and puts a gloved fist to his mouth as if to suppress another cough.
Two headlights come on behind them and their pickup. JAKE and PETER turn toward the lights.
JAKE and PETER walk toward the lights. The lights are shining on the moose. RALPH comes out of the darkness behind the lights meets up with JAKE and PETER. PETER speaks first.
RALPH looks at JAKE. JAKE shrugs his shoulders. RALPH turns back to PETER.
PETER still has JAKE’s bowie knife in his hand. He quickly turns and heads toward the moose. RALPH calls after him.
PETER stops and looks back at RALPH. RALPH turns to JAKE.
RALPH walks toward PETER while pulling his own bowie knife out of its scabbard on his belt.
RALPH and PETER walk over to the moose together.
SCENE 4
PETER and RALPH are riding back to the Mission together in RALPH’s pickup.
SCENE 5
It is CHAPLAIN STOKES office. There is a desk and with a chair behind it and a side chair. RALPH is sitting behind his desk going over some papers. It is Tuesday afternoon of the week following their picking up the road-kill moose. There is a knock on the door. RALPH looks up.
JAKE enters. RALPH stands up and reaches across the desk as JAKE comes forward. They shake hands.
JAKE and RALPH sit down. RALPH looks at his wristwatch.
JAKE is obviously uncomfortable with the questions and shifts around in his chair. He looks down intently at his hands, turning them over and flexing his fingers before answering.
RALPH picks up his Bible and turns to the passge he is going to read. As he reads he follows the words with his pointed index finger.
RALPH punctuates the end of verse by stabbing at it with his index finger. JAKE shrinks. slouching down into his chair. RALPH continues to turn in his Bible to other passages and reading them as he explains them.
RALPH turns to another passage in his Bible and reads.
JAKE is hesitant as he speaks up, trying to find a defense in the face of the overwhelming condemnation of his behavior.
RALPH sighs deeply.
RALPH turns to another passage in his Bible and reads.
RALPH turns to another passage in his Bible and reads.
RALPH turns to another passage in his Bible and reads.
“This then is the message which we have heard of him, and declare unto you, that God is light, and in him is no darkness at all.
“If we say that we have fellowship with him, and walk in darkness, we lie, and do not the truth:
“But if we walk in the light, as he is in the light, we have fellowship one with another, and the blood of Jesus Christ his Son cleanseth us from all sin.
“If we say that we have no sin, we deceive ourselves, and the truth is not in us.
“If we confess our sins, he is faithful and just to forgive us our sins, and to cleanse us from all unrighteousness.”
Isn’t that wonderful? “And these things I write unto you, that your joy may be full.” And then, “If we confess our sins, he is faithful and just to forgive us our sins, and to cleanse us from all unrighteousness.”
RALPH turns to another passage in his Bible and reads.
“Put on the whole armour of God, that ye may be able to stand against the wiles of the devil.
“For we wrestle not against flesh and blood, but against principalities, against powers, against rulers of the darkness of this world, against spiritual wickedness in high places.
“Wherefore take unto you the whole armour of God, that ye may be able to withstand in the evil day, and having done all, to stand.” Ephesians 6:10 to 13.
RALPH gets up and walks around his desk to stand beside JAKE. RALPH puts his hand on JAKES’s shoulder as he speaks.
RALPH starts roaming the stage as if he's a television evangelist giving an oration.
RALPH goes back behind his desk and sits down. He turns to another passage in his Bible and reads.
“For I was an hungered, and ye gave meat: I was thirsty, and you gave me drink: I was a stranger, and ye took me in:
“Naked, and ye clothed me: I was sick, and ye visited me: I was in prison, and ye came unto me.
“Then shall the righteous answer him, saying, Lord, when saw we thee an hungred, and fed thee? Or thirsty, and gave thee drink?
“When saw we thee a stranger, and took thee in? or naked, and clothed thee?
“Or when saw we thee sick, or in prison, and came unto thee?
“And the King shall answer and say unto them, Verily I say unto you, Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me.”
RALPH leans forward across his desk heightening the intimacy of the moment in his body language and tone of voice.
SCENE 6
Meeting room at the Mission. It is Tuesday evening. An AA meeting has just broken up. JAKE, ANN REILLY, and SARAH REILLY are standing at center stage talking. There are folding chairs arranged in front of a folding card table with another folding chair behind it. A large white sign saying “REBOS AA GROUP” in large black letters is hanging on the back wall. PETER is folding and then stacking the chairs off to one side.
SARAH rubs her obviously pregnant belly.
JAKE catches PETER’s eye and motions him over to where he, ANN, and SARAH are standing talking.
PETER walks over to them.
ANN reaches out and shakes PETER’s hand.
SARAH reaches out and shakes PETER’s hand.
JAKE turns to ANN.
JAKE turns to SARAH.
PETER points to a chair not to far from where he was working.
PETER and SARAH go over to the chairs and start folding and stacking them from where PETER left off.
ANN laughs.
ANN smiles and speaks teasingly.
ANN looks at her wristwatch.
ANN looks at JAKE in amazement and studies his face for a moment.
ANN and JAKE walk over to PETER and SARAH. ANN speaks to SARAH.
SARAH looks at ANN then at PETER.
PETER looks at JAKE.
ANN
Well, I don’t know.
ANN turns to JAKE.
JAKE turns to PETER.
ANN turns to SARAH.
SARAH grimaces at her mother's back as ANN turns back to JAKE.
JAKE and ANN exit. SARAH watches them leave.
SARAH turns back to PETER.
SARAH points to her pregnant stomach.
SCENE 7
ANN’s apartment. There is a stuffed couch with a matching chair to one side. ANN and JAKE enter, take off their shoes and coats and leave them in the entry alcove, then JAKE follows ANN over to the couch.
ANN points to the couch. JAKE sits down on it at one end. ANN heads to the kitchen door.
(Continues)
ANN exits and then after a brief pause, returns. She walks over to the couch and sits at the other end, away from JAKE.
JAKE nervously sits forward on the couch and examines his hands before he begins. This is obviously not going to be easy for him.
ANN laughs.
JAKE takes a deep breath.
ACT II
***UNDER CONSTRUCTION***
ACT III
***UNDER CONSTRUCTION***